Once considered a simple summer swill, rosé has finally evolved into a serious, food-friendly wine that’s seen as a staple on the table worldwide. By now, almost all wine-producing countries make some form of rosé, stamping their own unique styles on viticulture, vinification methods, and grape varieties. SevenFifty Daily spoke with winemakers from seven rosé-producing regions to learn more about the approaches that give different rosés their distinctive characters.
When it comes to rosé, Provence is the king of pink. Revered worldwide, Provençal rosés are known for their pale hues, bright acidity, and elegant but easy drinkability. At Clos Sainte-Magdeleine in Cassis, the winemaker Jonathan Sack primarily blends Grenache, Cinsault, and Mourvèdre for the estate’s rosé. “Some winemakers add a bit of white [varieties] to their rosé,” he says. “This is not my case.” He ages his rosé wines 7 to 12 months in stainless steel, including three months on the lees.
“It’s difficult to make a good rosé,” says Alain Pascal, the owner and winemaker of Domaine du Gros’ Noré in La Cadière-d’Azur, who also makes his Bandol rosé with a blend of Cinsault, Grenache, and Mourvèdre. Experience and the right raw materials, he says, are essential to success. The most important part of the vinification process, says Pascal, is harvesting the grapes at the perfect moment to help ensure fruit-forward wines with finesse and opulence.
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“Rosé wine is the genuine wine from Provence,” says Magali Combard, the sales and marketing manager for her family’s winery, Figuière. “It remains the expression of a unique terroir, including a climate and soils where local varieties can easily grow.” Cinsault and Grenache form the backbone of the domaine’s rosés; Mourvèdre is added for structure, complexity, and aging potential The rosés are aged in stainless steel to preserve clean aromas. “Rosé wines are refreshing wines,” says Combard. “They’re ideal for the hot, Provençal summer weather. They fit with the Mediterranean style of cuisine and the relaxing ‘art de vivre.’”
Located in the Southern Rhône, the Tavel appellation is the only one in all of France that is dedicated solely to rosé, which, by law, must be a minimum of 11% ABV. Tavel rosés are generally rich in color, intense in flavor, and have some of the most significant aging potential within the rosé category. Château de Trinquevedel is a 30-hectare family-owned estate in the Tavel region. It was founded in 1936—the same year Tavel became an appellation d’origine contrôlée—by the great-grandfather of Guillaume Demoulin, the estate’s current manager.
At Château de Trinquevedel, wines are vinified in the traditional style of the region, using six of the nine permitted varieties—Grenache, Clairette, Cinsault, Syrah, Mourvèdre, and Bourboulenc. The grapes undergo a 24-hour maceration, a 10-day fermentation—with malolactic fermentation blocked to preserve freshness—and are finished with 18 to 20 months of aging in stainless steel. “The typicity of Trinquevedel comes from its terroir, mainly from sand,” says Demoulin. “Other domaines mix various terroirs and soil types from the appellation. [Our sandy terroir] brings finesse and elegance to our wine.” The major contributor to the blend is Grenache, but Demoulin points out that the addition of Clairette is extremely important; it adds structure. “Making rosé is evident for a domaine in Tavel,” he says. “But [it’s] also a very passionate thing, because making ‘rosé de gastronomie’ is very difficult, much more complicated than making a good red wine.” (The estate also creates a red cuvée in neighboring Lirac.)
“Rosé is a wine that makes people enjoy the moment,” says Pilar Salillas, the winemaker at Raimat winery in Lleida. “It is fashionable, gastronomic, and versatile—with situations and pairings.” She describes it as the “one perfect wine” to drink in a park, on a terrace, or at a barbecue. Salillas explains that most rosés in Spain are made from Tempranillo and crafted from the “drain juice,” or saignée, of red wines, which is otherwise used to improve the concentration of red wines going into barrel. When used in rosé, the saignée tends to create darker wines with greater body and concentration. In regions such as Aragon and Navarra, Garnacha is used more often for rosé wines than Tempranillo, and in other regions indigenous varieties such as Bobal and Trepat are increasingly being blended with Viura and Albillo.
At Raimat, Salillas makes three styles of rosé: Clamor Rosado, Rosado, and Ànima Rosado. The first is what she describes as the estate’s ‘most basic’; it provides an easy-drinking profile “that everybody loves.” Made from Cabernet Sauvignon and Merlot, Clamor Rosado is produced with 50 percent saignée and 50 percent direct press juice. The Rosado is a blend of Cabernet and Tempranillo; its juices can be sensitive to oxidation. Low-temperature vinification and lees stirring help give the wine its character. Ànima, which was first produced in 2014, is the winery’s most unusual rosé; it’s crafted from equal parts Pinot Noir and Chardonnay and is characterized by ripe red fruit, citrus, and tropical fruit notes. “When you drink Ànima rosé,” says Salillas, “you are drinking the soul of Lleida.”
Lucio Matricardi, the winemaker at Stemmari Vineyards in Mezzocorona, explains that Sicily’s rosé culture is very versatile, with specific varieties used more commonly in some appellations than others. “For rosé, we use only Nero d’Avola from the estate in Acate in the southeast, where the soil is more sandy and Nero d’Avola [provides] a light structure, fantastic flavors, and very low tannins.” The skins remain in contact with the juice for 12 to 18 hours, followed by pressing and fermentation with added yeasts.
Matricardi is against using the saignée method that’s popular in nearby Spain. He feels strongly about focusing on rosé as its own product rather than an afterthought—and selecting fruit for its potential to explicitly create a characterful rosé, as opposed to a red wine whose drain juice will end up in the rosé. “[It’s important] to use specific vineyards to make rosé,” he says, “so it’s not a by-product of something else but is produced directly from grapes that will never [be destined to] make a great red.” He also points out that the weather conditions in Sicily are optimal for making rosé. “Harvest time is critical for saving acidity,” he says, “so picking around [the second week of] August, the Nero d’Avola gives fantastic fruit and a complex rosé.”
Because of the Golden State’s vast territory and array of microclimates, rosé production in California is quite varied. The state’s winemakers are experimenting with classic varieties from France, Italy, and other European countries, as well as with various styles of vinification.
At Stolpman Vineyards, located in Ballard Canyon within Santa Barbara County, the winemaker Pete Stolpman produces two styles of rosé—the Estate Rosé, made with 100 percent Grenache, and Para Maria, a blend of Syrah, Cabernet Sauvignon, and Cabernet Franc. “I love Rhône varieties for rosé,” says Stolpman. “But if direct pressing [is done] at gentle pressures, I [also] like Bordeaux varieties as well. The key is low sugar, high acid, and not getting greedy with yields.”
At Stolpman, grapes are picked early and vinified in a 70-30 combination of direct-press vin gris and carbonic maceration. “I like the refreshing crunchiness of early-picked grapes for rosé,” Stolpman says, noting that his use of puncheons adds texture and mouthfeel to the wine.
New York State
“There’s a wide range of rosé styles being made in New York State,” says Kelly Koch, the winemaker of Macari Vineyards on the North Fork of Long Island. Most rosés in this area are made with Merlot or Cabernet Franc. Farther north and west, in the Finger Lakes region, Cabernet Franc and Pinot Noir are commonly used.
Macari’s 2017 rosé is a blend of Malbec, Petit Verdot, Pinot Noir, Merlot, and Cabernet Franc. It’s crafted from hand-harvested and whole-cluster pressed fruit, with the only skin contact taking place during the short time in the press. The juice then ferments and ages in stainless steel. In addition to the traditional 750-milliliter bottles, Macari is creating limited quantities of large-format rosé bottlings, available in multiple sizes from 3 to 15 liters. “Rosés are beautiful wines which are extremely versatile and great to drink any time of year,” says Koch. “They are perfect for the beach lifestyle on the North Fork of Long Island or for the sophistication of New York City.”
In Chile, specifically within the Colchagua Valley, rosés are being made from Bordeaux varieties in the saignée style, and more commonly from a base of Syrah. Andrea León, the winemaker at Lapostolle Wines in Santa Cruz, explains that for far too long, rosé was simply a by-product for Chilean red-wine producers. “As of just a few years ago,” she says, “there [has been] a focus and respect for producing grapes and making the wine, to achieve, in particular, a good rosé.” She adds that vineyard selection is key, as certain parts of the valley can get too warm for producing her desired style of rosé.
“There are two types of rosé,” says León, “the darker-colored ones, which tend to have more structure and flesh, and the [newer] generation of lighter-colored ones, that seem more fresh and subtle.” She observes that worldwide, most wineries tend to aim for a dry style on the palate. At Lapostolle, rosé is produced from Mediterranean varieties (Cinsault, Mourvèdre, Grenache, and Syrah) grown in the San José de Apalta Vineyard. “We believe that the warm climate from Apalta, combined with the cold Pacific influence, allows the perfect conditions to have a slow but steady ripeness,” León says, “where these varieties can thrive, either for rosé or red wines.” For León, aromatic expression and good acidity levels are imperative. Grapes are hand-harvested, whole clusters are gently pressed, and the juice is then separated by color change at different pressure levels. The juice is vinified in a white-wine style at cold temperatures, with an emphasis on keeping the wine fresh and fruit-forward. The first vintage was released in 2015.
“We are owned by a French family that used to spend their summers in the south,” says León, and “they had a very clear idea of what a rosé was for them: fresh, dry, and light colored.” The Provençal style was always in their minds, she says. France is the largest market for Lapostolle’s rosé, something most Chilean wineries cannot claim.
Vicki Denig is a New York-based wine and spirits journalist and wine educator, discovering the world through the lens of a glass, one sip at a time. When not tasting or traveling, she can most likely be found running through Astoria Park or sipping on Cabernet Franc.